Tag Archives: empires

VIDEO: Keep It Steady (Empires), The Woodpile (Frightened Rabbit)

13 Dec

Empires have been one of my favourite bands since their conception – one of the first interviews we ever did was with Tom Conrad, years ago. So it’s with great delight that we’re sharing the video for ‘Keep It Steady’ here. If you haven’t listened to them before then this is a great introduction – energetic, hectic and above all fun. Seriously, we challenge you to watch this and not have a good time.

The video features skateboarding, archery and a trip across the country that almost makes us want to throw our assorted possessions in the back of a van and take off to find wide open fields. Sadly, that’s not going to happen – but watching ‘Keep It Steady’ is almost as good. Almost.

Speaking to MTV Hive about the video, frontman Sean Van Vleet said, “Seeing a bunch of kids skateboarding in an alley reminded me of when my friends used to go skating and I’d go along for the hang. Even though we were just a few blocks from home, the parking lot seemed like a world apart from the one we thought we were stuck in [in the suburbs].”

If you love ‘Keep It Steady’ then you can find the track on upcoming Empires album Garage Hymns – although you’ll have to wait til 12 June to pick it up.

Frightened Rabbit are finally beginning to get the recognition they deserve and, with the release of the video for ‘The Woodpile’, it’s incredibly easy to see why. The song is taken from upcoming album Pedestrian Verse – which frontman Scott Hutchison has previously described as “the strongest and most interesting record we’ve made to date.” The song is a lovely sprawling track, full of just the right amount of emotion and yearning that we’ve come to expect from the band.

One of the cleverer videos this year, ‘The Woodpile’ is worth watching for many reasons, but here are the top three. 1) The band provided some of their own ‘extras’, aka friends, so it’s pretty much a game (as the band themselves have acknowledged) of ‘spot the indie rock dude’. Tip: Oxford Collapse, Right On Dynamite, Bad Veins, Little Kicks and Olympic Swimmers are all featured.

2) The video shows the band joining a crowd of rubberneckers – and I love the video just for giving me a reason to use that word, but that’s not reason #2 – at the scene of an accident. But if that’s not enough, it utilises the single shot technique to take its slow time showing the details and providing an almost dreamlike element to it.

3) The twist ending. Perhaps anticipating that you might click away and let the song play while the video’s in a different tab, the band have done their very best to make sure that this one’s worth watching til the end. Well worth checking out.

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INTERVIEW: Tom Conrad (empires)

22 Jul

There’s been a lot of discussion over the past few years about the impact that the internet has had on the music industry, and the general consensus seems to be very negative.

However, Empires have a very strong internet fanbase. Do you feel that the internet has had a positive impact on the music industry, and you as a band, or do you think that it’s still mostly a bad thing? 

I would not say it’s negative, it’s just different than what we have known in the past. It is important for life to evolve and I believe the general state of music is in a transition period. Everything is so quickly and easily accessible because of the internet, so you really need to offer something different to stand out.

Do you think your fans are different to a more mainstream band’s due to the fact you can still talk to them personally, and that one-on-one dynamic is important? 

The five of us have been very lucky thus far. We try very hard to have direct contact with the people that care about Empires as much as we do. I wouldn’t want it any other way. This is about sharing and hopefully sparking some sort of feeling in each other at the end of the day.

Putting ‘Howl’ on your website available for free download was a move almost like Radiohead’s release of In Rainbows. Coming back to the impact of the internet on the music industry issue, was this a response to that? Were you worried that no one would buy the hard copy of the album if you did this, or were you just happy to get your music out there, and this ensured that possibly more people would listen to it? 

We released “Howl” online for free for several reasons. First, we did so because we could and not many artists can. The album was ours and will always be ours. Since the record was completely constructed by the band, we could do whatever we wanted with it. Second, it was important to us get our music out as fast and as easy as possible. We knew this way anyone in the world could grab it and we could know exactly where from. Third, we loved the idea of this being our introduction to everyone. Knowing we initiated our relationship with you by giving away something we spent a lot of time and energy on is a great feeling. Now, we hopefully started a strong bond with the listener. “Howl” is the starting point for Empires and to me, feels like when the band truly kicked off.

Some of our readers have been asking about “Hayley”, and whether there’s a story behind it. Could you clarify this? 

Sean writes all the lyrics for Empires. The story is true as far as I know.

Do you feel that being unsigned allows you a greater level of control? Would you ever consider signing to a label, especially a major one, or do you feel that it wouldn’t be worth it for you in the long run? 

The best thing about being unsigned is that our path is unwritten and unseen. Anything could happen. The downside to not having a home for Empires is that it does make things much harder for us and can be a cause for distractions while trying to achieve the main goal. I’m not opposed to signing with an indie or a major at this point but obviously whatever is in the best intention for Empires, we’ll decide to do. Max, Sean, Ryan, Alfred and myself do everything we can to make Empires as self-sufficient as possible and I don’t think that will change. It’s very important for us to be “hands on” with anything we do together. The more we can do on our own, the more accurate of representation it will be.

Your music is very different to most bands around these days and definitely stands out, especially the way all your songs have a different sound to them. Do you think this is important? 

I think it’s important to be yourself and pursue what makes you happy, which is what “Howl” is to us. It’s not my place to judge or to call someone else’s work generic. Though I have been finding myself digging deeper through more experienced and educated artists to find inspiration lately. You need to have something valid to say to get my attention.

originally posted here.